Post taggati Cannes Festival
Da Venezia alle Montagne Rocciose
Duccio MortillaroVenice film Festival, la Biennale di Venezia, Lucrecia Martel, Roman Polanski, J'accuse, Hollywood, Festival di Telluride, Telluride Film Festival, Emmy Awards 2019, Colorado, USA, Brigitte Bardot, Cannes, Cannes 2019, Cannes Festival, Festival di Cannes, Dolce Vita, Marcello Mastroianni, Federico Fellini, Brad Pitt, Joaquin Phoenix, Joker, The Perfect Candidate, Aifa Al-Mansoor, Wadjda, The Laundromat, Antonio Banderas, Meryl Streep, Netflix, Roma, Oscar 2020, buzz, Motherless Brooklyn, Ford contro Ferrari, Maranello, Ferrari, Christian Bale, Remo Girone, Corrado Invernizzi, Francesco Bauco, Lorenzo Bandini, Le Mans, Martin Scorsese, The Irishman, Matt Damon, Renee Zellwegger, Bridget Jones
Ora Upon a Time in Hollywood
Duccio MortillaroHollywood, Once upon a time in Hollywood, Hollywood boulevard, Oscar 2020, Cannes Festival, Brad Pitt, Bradley Cooper, Margot Robbie, Sharon Tate, Leonardo Di Caprio, Hollywood reporter, Marilyn Monroe, Humphrey Bogart, Travis Scott, Snoop Dogg, Rob Lowe, John Stamos, Sofia Vergara, Britney Spears, Sam Ashgari, Quentin Tarantino, Sony Columbia, Copyright, George Lucas, Cinema Paradiso, Kill Bill, L.A., Los Angeles, Blockbuster, saudade, Al Pacino, Re Leone, Lion King, New York, Peoria
Real News is no News
Duccio MortillaroHollywood, California, Thanksgiving, ATA, Writer's Guild of America, packaging fees, Creative Artists Agency, Paolo Sorrentino, Agenzie, Emmy, Emmy's, Emmy Awards 2019, William Morris Endeavor, United Talent Agency, WGA, Abrams Artist Agency, Amazon, Netflix, Oscar+, Oscar 2020, Kevin Spacey, Harvey Weinstein, USA, House of Cards, Estate, Summer, No News, Cannes, Cannes Festival
Sunset de Cannes
Duccio MortillaroGran Premio di Monaco, Gran Premio, Cannes, Cannes Festival, Bong Jong-ho, Ladj Ly, Parassiti, Bellocchio, Il Traditore, Festival di Cannes, Atlantics, Grand Prix, Les Misérables, Premio della Giuria, Parigi, Miglior regista, Il Giovane Ahmed, Dardenne, Fratelli Dardenne, Antonio Banderas, Almodovar, Pedro Almodovar, Dolore e Gloria, Quentin Tarantino, Tarantino, Once upon a time in Hollywood, Hollywood, Netflix, Thierry Fremaux, WGA, sindacato, packaging fees, United Talent Agency, Venezia, Los Angeles
C’era davvero l’innocenza di Hollywood?
Duccio MortillaroC'era una volta a Hollywood, Once upon a time in Hollywood, Quentin Tarantino, Tar, Leonardo Di Caprio, Brad Pitt, Los Angeles, Charles Manson, Margot Robbie, Hollywood, Sharon Tate, Roman Polanski, Cannes, Cannes 2019, Cannes Festival, New York Times, Mecca del Cinema, Tinseltown, Oscar, Oscar 2020
CinemaCon la fiera dei cinema (fino a quando?)
Duccio MortillaroLas Vegas, CinemaCon, Orlando, Washington, Netflix, Helen Mirren, Hollywood, Hollywood reporter, Oscar, Oscar 2019, AMC, Landmark, Steven Spielberg, Motion Picture Association, Studios, Academy, Streaming, Amazon, Apple, Warner Brothers, NBC, NBC Universal, Antitrust Division, Department of justice, trade, Golden Globes, Cannes, Cannes Festival
Hollywood contro Netflix
Duccio MortillaroOscar 2019, Hollywood, Roma, Cuaròn, Alfonso Cuaròn, Netflix, Streaming, Amazon, Sundance Film Festival, Disney, Fox, Paramount, Lionsgate, Saturday Night Live, Dreamworks, Harvey Weinstein, Los Angeles, New York, Cannes Festival, Cannes, Martin Scorsese, The Irishman, Baby-boomers, Millennials, gangsters, HipHop, Low Life, Future, The Weeknd, Joe Pesci, Future + The Weeknd, Quei Bravi Ragazzi, Teaser, Kolossal, Steven Spielberg, Academy, Emmy