Importa poco di Venezia e Non Frega Tanto (NFT) di Tarantino
Duccio MortillaroAll the Beauty and the Bloodshed, Venezia 79, Festival di Venezia, Venezia 2022, Biennale del Cinema, Luca Guadagnino, Cate Blanchett, Bones and All, Tàr, Coppa Volpi, cancel culture, Marvel, DC Comics, Batgirl, Warner Brothers, Festival di Toronto, Tessa Thompson, Timothée Chalamet, Emmy Awards, Emmy Awards 2022, Streamers, Streaming, CBS, NBC, ABC, Paramount, Paramount Studios, Disney, Disney Studios, Universal, Universal Studios, super bowl, Ozark, Breaking Bad, Better Call Saul, Pilot, Netflix, Talk show, Save Old TV, NFT, NFT's, NFTs, Quentin Tarantino, Miramax, Awards, Award Season, Industry, the Industry, Golden Globes, Golden Globes 2022, Hollywood Foreign Press Association, hollywood foreign press, Bitcoin, Bitcoins, Pulp Fiction, Script, scripts, Non Fungible Token, Twitter, Elon Musk, Tesla, L.A., Los Angeles, Titanic, Cinecittà, Silicon Valley
Ricomincio da Novanta
Duccio MortillaroHollywood Foreign Press Association, Award Season, Oscar 2020, Golden Globes, USA, Italia, The Two Popes, The New Pope, Paolo Sorrentino, The Irishman, Jennifer Aniston, Academy, Netflix, Dolemite is My Name, Jojo Rabbit, La vita è bella, Har, Miramax, Disney, Amazon, Amazon Films, C'era una volta a Hollywood, Leonardo Di Caprio, Brad Pitt, Tarantino, Quentin Tarantino, Sony Columbia, Robert De Niro, Joe Pesci, Al Pacino, Christian Bale, Charlize Theron, The Bombshell, Scarlett Johansson, Marriage Story, Renee Zellwegger, Judy, Jerry Maguire, Bridget Jones, Parasites, Bong Jong-ho, Almodovar, Pedro Almodovar, Dolore e Gloria, Dolor y Gloria, Antonio Banderas, Atlantics, Gran Premio della giuria, Cannes, Cannes 2019, Rick Gervais, Los Angeles, Margot Robbie, reality
