Bye Barbie
Duccio MortillaroOscar 2024, Oscar, Garrone, Matteo Garrone, Io Capitano, Golden Globes, Golden Globes 2024, Wim Wenders, Cannes, Cannes 2023, Perfect Days, Society of the Snow, Zone of Interest, Teachers’ Lounge, Barbenheimer, Barbie, Barbie Movie, Oppenheimer, Margot Robbie, Greta Gerwig, Ryan Gosling, America Ferrera, Emma Stone, Sandra Hüller, Anatomy of a Fall, Auschwitz, Poor Things, Yorgos Lanthimos, Killers of the Flower Moon, Martin Scorsese, Leonardo Di Caprio, Lily Gladstone, Bradley Cooper, Maestro, Award Season, Obama, Penelope Cruz, American Symphony, Ferrari, Stan Lee, Titanic, politically correct, Mainstream, Woke, Hollywood, Los Angeles
Come è triste Venezia, come è forte Venezia
Duccio MortillaroHollywood, Covid19, Covid, the Industry, Europa, Venezia, Venice film Festival, Festival di Venezia, red carpet, Oi Polloi, Matt Dillon, Oliver Stone, Lido, USA, Trades, New York, Levante, Cate Blanchett, Venezia 77, Notturno, Gianfranco Rosi, Rosi, The World to Come, The Favourite, Padrenostro, Le Sorelle Macaluso, Gattopardo, Nomadland, Frances McDormand, Quo vadis Aida, Night in Miami, Cassius Clay, One Night in Miami, 1964, Miami Beach, Francis Ford Coppola, Mainstream, Gia Coppola, Los Angeles, Somewhere…, Sofia Coppola, Quentin Tarantino, Ferragamo Shoemaker of Dreams, Salvatore – Shoemaker of Dreams, Luca Guadagnino, La verità sulla Dolce Vita, Federico Fellini, Fellini, The Rossellinis, Alessandro Rossellini, Isabella Rossellini, Leone d’argento, Wife of a Spy, Nuevo Orden, Premio Speciale della Giuria, Dear Comrades, Coppa Volpi, Pierfrancesco Favino, Pietro Castellitto, Nuovi Orizzonti, I Predatori
